04 January, 2010

it's another great day for drugs.


Roxy Music were a London, England based group founded in 1971 by art school graduate Bryan Ferry (vocals and keyboards). Other members were Phil Manzanera (guitars), Andy Mackay(saxophone and oboe) and Paul Thompson(drums and percussion). Former members included Brian Eno (synthesizer and “treatments”) and Eddie Jobson (synthesizer and violin), who replaced Eno after Roxy Music’s second album.

Roxy Music were a significant influence on the early English punk movement, as well as providing a model for many “New Wave” acts and the subsequent New Romantic and experimental electronic groups of the early 1980s. Ferry and co-founding member Brian Eno have also had broadly influential solo careers. Brian Eno has emerged as one of the most significant record producers of the late 20th century, with credits including landmark albums by
Devo, Talking Heads and U2.

The group’s name was partly an homage to the titles of old cinemas and dance halls, and partly a pun on the word ‘rock’. Ferry had first named the band Roxy, but learning of an American band with the same name prompted the alteration of the name. The juxtaposition of nostalgia with contemporary or futuristic themes was a distinctive feature of the band, particularly in their earliest incarnation.

02 January, 2010

Moon Duo



Moon Duo is Ripley Johnson from Wooden Shjips. He hails from San Francisco. He has a long black beard with spices of grey. He is rumored to be a master of cunninglingus. Legend Has It: As soon as it's time for foreplay, he sneaks off into the nearby washroom to "freshen up". A splash of water on the penis here, a swipe of the testicles with a wash rag there, and then the masterpiece is set into motion. He begins to braid his beard into the shape of a perfect rubber dong, 10 minutes later, he has a hair dong that could rival any dildo in the industry. The long and voluptuous process of cunninglingus awaits for the mistress. He dips deep down, his tongue has a lock on sensor for the clitoris. He hears the internal beeping go off, beep...beep...beep. You may think his beard has the texture of a Brillo pad, this is not the case. It's more like the thick tail of a beautiful mare. If you've never spent time on the farm, you do not truly know the beauty of this said tail. My cousin Miguel once cut off the tail of the family's mare, retreated to the back shed and wrapped it gently around his penis and began to fap till glory burst out of his teenage cock. But this is about Ripley, not little Miguel. The insertion of the hair dong is done like a veteran, smooth and effortless. He rocks his jaw back and forth to insert the braided beard in and out of the vagina, as his manly tongue filps and flaps like a fish John Lurie just caught off the coast of the Cayman Islands. Women, make like a U2 roadie and follow this man around, city to city. Get lost in his psychedelic trance of sound and then find yourself in awe of the bedroom tactics of a true man.

the monochrome set - volume, contrast, brilliance...


There was no punk band more deliberately effete than the Monochrome Set, and very few anywhere near as smart. In their original (1976-1985) incarnation, they made a handful of slightly-off-target albums, but this 1983 compilation — seemingly slapped together from various singles, radio performances and clips of people talking about the band — is a front-to-back joy, fast, restless and perfectly sequenced.


Indian-British singer/guitarist Bid, whose vocal style owed more to pre-war crooners than to most of his contemporaries, and a guitarist who called himself Lester Square (after London tube stop Leicester Square) were the core members of the Set in that period, and their sharpest songs combine their high-aesthetic pose with punk's acid sense of wit and straight-to-the-point sonics. They rip through "The Jet Set Junta," a very funny song about Latin American political mayhem (featuring extensive onomatopoeia and a deliberate mispronounciation of the title), in two minutes flat; the instrumental "Lester Leaps In" lifts its title from saxophonist Lester Young's standard, but it's actually a showcase for Square to crossbreed a Clash-style riff with an easy-listening surf-guitar solo. And smack in the middle is the best version of their greatest song: "He's Frank (Slight Return)," a mighty 159-second rocker with the band playing three killer riffs simultaneously, a chorus that's entirely instrumental, and Bid singing a lyric about an aging loverboy that prominently features the words "forsooth" and "secular." - douglas wolk/emusic


http://www.themonochromeset.co.uk/

01 January, 2010

a picture of a picture tossed and torn away

phosphorescent discography



"Houck works more slyly, using his majestic, cracking voice to make everything feel like the close of a day - where you think you'll find resolutions, but just find more inoperable questions instead. It sounds like the art that gets made by a person who dreams big dreams about small things. It's leisurely and it's dogged, emitting a dual personality that can only be afforded to someone who would be able to deal with being the last man in a ghost town. The torture of singularity would be corrosive, but the ability to harness it could provide enough energy to light Las Vegas for a year. " - daytrotter

there are some days when i am sure i would trade all 10 of my desert island albums for simply pride on repeat. i've seen him live more than any other band, except one, and every single time i'm blown away. staggering out to the car left feeling like i've been hit by a train..

29 December, 2009

underwater peoples presents a winter review

Underwater Peoples Presents a Winter Review


1. julian lynch - es's

2. pill wonder - restless

3. ducktails - apple walk

4. fluffy lumbers - adoration

5. big troubles - former selves

6. andrew cedermark - ad infinitum

7. frat dad - totally afraid

8. dana jewell - my t-train girl

9. air waves - sweetness

10. family portrait - killer statements

11. alex bleeker - these days

12. mountain man - dog song

13. real estate - orchard

14. rainbow bridge - rain nair

15. liam the younger - please see


28 December, 2009

owen pallet - heartland

owen pallet - heartland


Owen Pallett (born Michael James Owen Pallett-Plowright, on September 7, 1979) is a violinist and singer from Toronto, Ontario, Canada, and winner of the inaugural Polaris Music Prize. On December 18th, 2009, Pallett announced that he would be retiring his old artist name, Final Fantasy, and would be henceforth releasing his material under his own name. Previous albums released under the Final Fantasy name are planned to be re-packaged and re-released under the new name of Owen Pallett.


http://www.myspace.com/owenpallettmusic


25 December, 2009

be good to the earth this season - reverend green/drawlings 7"


This highly limited split 7" is Paw Tracks' Yuletide offering for 2008, pooling the talents of Brad Truax (from Home and Jah Division), Antony Hegarty, ex-Mùm star Kristín Anna Valtýsdóttir (aka Kria Brekkan), Abby Portner of Rings and Dave Portner from Animal Collective. As you'd probably hope from such a release, this 7" is brimming with pseudo-vintage, festive weirdness, decked out with old-fashioned 78rpm-style sound effects and crazed sleigh bell antics - it's just how you'd imagine Christmas round at the Paw Tracks ranch. 'Be Good To Earth This Season' takes stuttering old vinyl samples and intricately re-structures them into something new and rather beautiful, providing a musical backdrop for Antony and Kristín to warmly intone their goodwill-spreading duet. On the flipside 'Wolfie's Christmas' combines chiming glockenspiel and sleigh bells with bizarre recordings of horses neighing and birds taking flight while Abby Portner imparts her own brand of seasonal cheer. A superior christmas single if ever there was one. - boomcat

24 December, 2009

Edward Sharpe and the Magnetic Zeros - Up From Below



Birthed by Mouth in the year two-thousand and five, young Edward Sharpe had to wait nearly two years before he was to grow his arms and legs and fingers and toes.
Immaculately conceived, his father (a Robot who had magically become a real boy…but that’s another story) declared his undying devotion to the creature. He perched the fleshy bust upon a teetering pedestal fashioned from stacked cereal boxes and positioned the display at his window for all the town to see. Young Edward soon proved no ordinary boy.


Though his father had figured him deaf for his unresponsiveness to sounds, he in fact had the universally unique condition of being deaf from hearing too much or, more correctly put, too well. In plain words, he heard EVERYTHING AT ONCE.
At first it proved rather painful like a wretched whining winding all hours, but very soon those who whisper visited young Edward and revealed to him the Tricks and Truths, the Ways and Plays, the Chords and Dischords of the Universe.

He did not need to eat but the color of the sun, which was F#, and moved his bones to grow.
His arms and legs and fingers and toes grew ‘til the tower of boxes collapsed and he laughed. He moved thru the door which was C over B# and ran thru the village hearing ALL of its music! The workers and children and painters of buildings and dogs barking madly and trees bristling softly and OH!!

23 December, 2009

Okkulte Stimmen - Mediale Musik: Recordings of Unseen Intelligences 1905 - 2007


3 disc box set of paranormal phenomena including "trance speech, direct voices, clairvoyance, xenoglossy, glossolalia including ethnological material, paranormal music, 'rappings' and other poltergeist manifestations as well as so-called 'Electronic voice phenomena'" dating from 1905-2007


I Trance-Speaking and "Direct Voice"

Voices from possessed children (1978)
Exorzismus an Anneliese Michel (1976)
Rita Goold as "Russell" (1983)
Jack Sutton contacts dead airmen (1980s)
Minnie Harrison & the Christmas party (1954)
Leslie Flint as Oscar Wilde (1957)
Leslie Flint as Charlotte Brontë (1973)
Leslie Flint as Winston Churchill (ca. 1980)
Mrs Leonard & her spirit-control "Feda" (1932)
Mrs Leonard with Reverend Thomas (1933)
Einer Nielsen, Phantom-Stimmen (ca. 1950)
Stimme des Geistes "Hänschen" (1965)
Rudi Schneider: Trance-Breathing (1933)
The Final Houdini Séance (1936)

II Precognition

Hanussen: Die hellsehende Schallplatte (1932)


III Xenoglossy

"Banta" Trance Speech (1948)
"Rosemary" (Ivy B.): The Speech of Ancient Egypt, 18th Dynasty (1938)
Aleister Crowley: The Call of the First and Second Aethyr (ca. 1920)
Prophezeiungen der Aloisia Schinkenmaier (1966)
Zaubergesang zur Krankenheilung (1905)
Gesang des Zauberarztes (1912)
Tanz der Könige: Austreibungsritual mit
Scheich Muhammad Gabir (1984)
Rahmi Oruc Güvenc und "Tümata":
Zikir aus der Rufai-Tradition (1980)
Kara Ool: Bittender Gesang um Gesundheit (2006)
Larissa: Suche nach verunglücktem Mädchen

IV Glossolalia

Theodor Spoerri: Sprachstörungen bei
Psychosen (1963)
Sitting with "Betty" (1987)
Prophecies, Pentecost Community (1960s)
Pentecost Community Oklahoma (1980s)


V Medial music / Paranormal Music

Rosemary Brown in Conversation (1973)
Rosemary Brown: Grübelei, transmitted by Franz Liszt (1969)
Wynford: Prelude in A minor, transmitted by Frederic Chopin (1993)
L. B.: Romance in Ab major, transmitted by Frederic Chopin (2007)
Leo: E lucevan le stelle from Tosca by Puccini, transmitted by Caruso (1993)

VI Raps and Haunting Phenomena

Spukfall O.: Akustische Überraschungen (1974)
Spukfall Rosenheim (1967)
Spukfall Pursruck (1971)
Der "Klopfgeist" von Thun (1967)
Spukfall Schleswig (1968)
Exploding Cup, Charlton House (1995)

VII EVP

Friedrich Jürgenson, Einspielungen
Girl’s Voice, Singing (1974)
Piano trill (2002)
Marcello Bacci and Luciano Capitani: Chorus I + II
Paranormale Musik (1968)
Paranormale Stimme auf dem Anrufbeantworter
Paranormale Stimme durchs Telefon (1983)
William O’Neill and Dr. George J. Mueller (1981)
The voice of André Malraux (1986)
Female Entities (1970s)

Copies are still available for purchase at the Supposé site here.

Flash Lights - Eckords



"Eckords" is the first release by Flash Lights, the duo of Liz Harris (better known as Grouper) and Bay Area sound sculptor Jorge Behringer. Here, Liz's spectral vocal transmissions (the ones that blew our collective minds on last year's superb opus "Way Their Crept") are augmented by disorienting field recordings, bubbling electronics, meditative guitar lines, and Jorge's angelic, processed viola. Each piece is unique and bursting with vibrant, otherworldly energy, running the gamut from almost poppy (!) songforms, to distant choral ghost codas, and moving effortlessly from seering blasts of electronics to calm, glacially evolving, painstakingly wrought towers of dynamic vocal murk. Beautifully mastered by Pete Swanson, presented in a sleeve adorned with Liz's wonderful black and white artwork.
-SoD